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Table of Contents Index Introduction About LAMW Honorees Music Links Calendar of Events Souvenir Journal Events Highlights Music History Synopsis Through the Years Historical Highlights Contact Sign our Guestbook |
![]() ![]() The Artistic Mission of Los Angeles Music Week Fulfilling the motto, "An Instrument of Unity, " Los Angeles Music Week serves all the residents of the Greater Los Angeles area, including its surrounding basins. The performances, projects and events impact people of diverse cultures, ages, ethnicities, religions and socio- economic groups. The scope of events offers Angelenos opportunities to hear musical genres that they have never experienced and invites them to explore venues in various parts of the city. The educational activities of LAMW are enabled in elementary, middle and high schools. LAMW takes an active role in Los Angeles' cultural tourism industry by offering a wide variety of performances that showcase the city's musical heritage. Due to the drastic
cutbacks in music curricula in schools over the past decade, the
majority
of the city's children know little or nothing about the rich musical
heritage
of the city they live in and have no scope of the musical genres
available
to them, from classical to jazz to ethnic musics. Many children
have
very few musical skills or lack the resources for acquiring them.
LAMW's program elements, such as field trips, in-school presentations
and
opportunities to interface with living musical legends, broaden musical
understanding and have created musical bridges between the communities
over the past six years. The sponsors and
partnerships
listed on this page dutifully enable LAMW to accomplish the
educational
goals and facilitate field trips for the school children in order to
link
music with other aspects of culture and learning. The children
derive
so much pride and motivation from learning how many famous musicians
from
all aspects of the music business grew up in their own
communities.
Face-to-face dialogue with successful living legends gives them the
impetus
to explore their own God-given talents and capabilities, inspiring them
to learn. The Children's Day field trips open up a world of
amazing wonder and possibility. In the words of
Founder/Executive
Director Margie Evans describing the 1999 Children's Day event,
"Serious
joy was had by these wonderful children." One parent,
accompanying
her child to the California Science Museum trip, commented, "This is
what
it's all about, giving children a chance to succeed." During the
2001 LAMW celebration at the Warner Grand Theatre, selected schools
were
elated to receive a cash donation of $500 for their music departments,
while parents, honorees and children raved about everything from the
musical
performances, to the unique LAMW t-shirts provided by
Target,
to the superbly tasty sub sandwiches from the Busy Bee in San
Pedro. |
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![]() LAMW'S
2001 HONOREE
It was way back on Saint Patrick’s Day in 1936 when young Buck Page grabbed a guitar and started his ride into western music history. He was only thirteen at the time, working long days to help family make ends meet during the Great Depression. In addition to running the family farm, he found that he could bring in extra money with his guitar. Within a few months, Buck named a band that he founded, The Riders of the Purple Sage, named after the famous Zane Grey western novel with the blessings of the Grey family. Soon the Riders relocated to New York City and had a regular gig on national radio. This began their longstanding reputation in the annals of western music history. This historic troupe is composed of founder, Buck Page, Mike Ley, Dart Zubis and Cody Bryant. Who would have guessed in those days that Buck Page would still be crooning cowboy songs at the dawn of the twenty-first century! The band’s youngest member, Cody Bryant, 40, of Burbank, California, son of a square dance caller, comments that their music is sentimental, “It’s what I listened to as a child when everything was wonderful...a lot of the old square dance music is derived from western music.” Since 1936, Buck Page and his band have been playing the music of ranch hands. Well known for their hit, “Ghost Riders in the Sky, Mr. Page is the only remaining original of the group, who is quick to make a distinction about his music. “You’re either country or you’re western. We’re western. We sing about the Grand Canyon, cows and girlfriends back home. We don’t sing about the girl at the corner bar. We don’t cry in our beer, in other words.” Instead, Page’s music is the kind cowboys played to relax their cattle at night so they wouldn’t brak loose and stampede, clarifying, “You wnat them to stay in one place. There’s always an outlaw and they won’t lay down. The music soothes them,” says Page, who was raised and worked on a cattle ranch in Lost Cabin, Wyoming. Although most of the western music legends have ridden into the sunset, Buck Page is still on the scene doing what he loves to do best, singing the western songs that he and others grew up with while entertaining people around the world. Like the great cowboy entertainers of old, Buck still loves to croon all night and play his arch-top guitar up one side and down the other for the enjoyment of his loyal following of western music fans. His tunes carry you way back to campfires and cowboy movies of the 1940s and 1950s, when as he shares, “Every little boy wanted to be Gene Autry or Roy Rogers, and every little girl wanted to be Dale Evans.” |
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In the 1930s and ‘40s, a professional songwriter would compose a tune, and over time, several groups would perform it, each version increasing the song’s popularity. Page and a trail of Riders have notched about a dozen million-selling hits with their renditions, including a few of their chart-toppers, “Tumbling Tumbleweeds,” “Don’t Fence Me In,” “No One to Cry To” and “Cool Water.” Long before Rod Stewart did his version of “Have I Told You Lately (that I Love You),” Buck Page and the Riders fo the Purple Sage were singing it to an earlier generation! Throughout the years, may groups have emulated the Riders; Jerry Garcia of the Grateful Dead slipped one word into the title and formed a western-rock group, The New Riders of the Purple Sage. When Buck Page asked Jerry Garcia, “How come you ripped my name off?” Garcia replied, “We thought you guys were dead.” Page went on to give several concerts with Garcia’s band. Buck Page, who will turn 79 this spring, said that he plays about 150 gigs a year and has just released his fourth CD last December, entitled, “Twenty-Sevne Greatest hits Live” on WagonWheel Records. It captures the hong heritage of musical excellence that is, due uniquely to The Riders of the Purple Sage, an American Music Tradition. “Every time I do a show, I think, “Hey, I should still keep playing,’” Page comments. Moreover, Buck
Page has spent many years as a first call Los Angeles
studio musician, lending his muscal talents on guitar and bass to
countless
television shows, over 200 appearances in movies, playing with his band
in dozens of campfire scenes in historic cowboy films, and contributing
to numerous movies scores and albums. Their trademark harmonies
and
signature playing style area major influence in contemporary country
music
and popular music genres alike. The band has been broadcast coast
to coast on NBC and ABC, also appearing at countless top line venues.
Throughout their illustriously extensive career, they have brought
their
music to the nation by way of radio, concerts, the silver screen,
television
and finally, the Internet.
It is for these reasons that Buck Page was recently honored by the
North
America Country Music Association, International Hall of Fame’s
prestigious
Country/Western Living Legend Award. In other words, Buck Page is
a legend in his own time, the genuine article, worthy of distinguished
honor by Los Angeles Music Week. |
The Riders of the Purple
Sage, named after a Zane Grey novel, was formed in 1943 by Foy Willing
in Los Angeles, California. The band had early success on the
Hollywood Barn Dance radio show and later with the dramatic All Star
Western Theatre program, which featured many of the top recording
artist of the day.
The band achieved evern greater success in film and recording. Their best known songs include Foy's "No One to Cry To," "Night in Nevada," Holiday for ther Blues," "Texas Blues," "Divorce Me C.O.D.," and one of the earliest recordings of "Ghost Riders of the Sky." For more information, please visit the websites listed below. We thank Sharon Willing (Mrs. Foy Willing) for sharing this information with us. She can be reached at sharonfoywilling@aol.com. Websites
for reference
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Los Angeles Music Week, Inc.
Post Office Box 451146 Phone: (310) 670-6898 Fax: (310) 670-6908 E-mail: melamw@earthlink.net |

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