"An Instrument of Unity"


 




Logo by Jeff Tsuji



 

LOS ANGELES MUSIC WEEK
December 3 to 10, 2006


To donate instruments to the fifteen council district schools
and the five county supervisory schools through Los Angeles Music Week, which LAMW annually services, please contact via email at melamw@earthlink.net or dial 310-670-6898.  Your contributions are greatly appreciated and recognized.

Please help students receive instruments and music education through your Ralphs Club Card purchases on behalf of Los Angeles Music Week, a 501c(3) non-profit organization that is now in its thirteenth year of operation.   See our Honorees Page for  those who have been blessed through this service. 

Through your purchases, 4% will be donated to Los Angeles Music Week to raise funds for the children.   Please mail us your  Ralph Club Card number, your name, address, city and phone number  so that Ralphs can process this information.   For security reasons, please  mail this information to Los Angeles Music Week, P.O. Box 451146, L.A., CA 90045.  With your help, the injustices of inequitable arts education can continue to be addressed.  Your cooperation and timely response are dearly appreciated.  Thank you so much!

Piano Button
Los Angeles Music Week,  Incorporated  is a non-profit 501(c)3, community-based outreach program, now in its thirteenth year of service.  Each year during the first two weeks of December, Los Angeles Music Week honors the various contributions of local landmark artists of all genres and works exhaustively to provide equitable access to music education for children.  LAMW shares the history of music in Los Angeles with children and event attendees, noting the part this city plays in shaping music internationally. L.A. Music Week is an instrument of unity, building bridges to the diverse citizenry while enhancing local tourism.  All contents are Los Angeles Music Week' exclusive intellectual property.  Permission must be obtained for use of these contents.

DR. RACHEL EUBANKS,
THE EUBANKS CONSERVATORY
OF MUSIC AND ARTS

LAMW 2002 HONOREE


The compositions of Dr. Rachel Eubanks include sacred and secular works in many genres: songs, choral music, solo instrumental works, music for instrumental ensemble, cantatas, and orchestral works.  Encompassing a variety of compositional techniques, they are intellectually challenging and emotionally engaging, exhibiting a wide variety of ethnic influences.  In many ways, they are a  reflection of her activities as a musician, ethnomusicologist, educator and administrator.

The remarkable breadth of her interests and experiences began to be developed in her youth in Oakland, California.  Born in San Jose, she moved with her family first to San Francisco when she was three or four, then to Oakland, where she attended Manzanita, Lockwood,
and Allendale Elementary Schools, Roosevelt Junior High and Oakland High School.  She began to play the alto horn and the clarinet while still in elementary school, and her parents refularly took her and her two brothers to operas at the Scottish Rite Auditorium in Oakland as well as to concerts at the Oakland Auditorium and the Greek Theater in Berkeley.  Rachel began piano lessons at age eight; in college she began extensive organ studies while continuing to study the piano.

Her mother, a native of San Francisco, nurtured the international and artistic side of her children's education, taking them to museums, subscribing to National Geographic magazine and introducing them to family and friends from many different backgrounds.  Rachel had close friends who lived in Chinatown and recalls the appeal of the Chinese music she heard there.  The travel accounts of a family friend who served as a missionary in India inspired Rachel's first serious composition, "Waters of the Ganges" for solo piano (c. 1936), composed  when she was in her early teens.  Later, while a graduate student at Columbia University in New York City, she often visited Chinatown and  saw Chinese opera.  At Columbia she studied ethnomusicology, and subsequently travelled to many parts of the world, developing her famed  multifaceted expertise.

Upon completion of her varied studies at the University of California-Berkeley in undergraduate composition and orcehestration with Charles Cushing, continuing her masters' degree work at Columbia with Otto Luening, Douglas Moore, Seth Bingham, Normand Lockwood and Randolph Thomas, Rachel taught at the Carmen Shepherd School of Music in New York City.  Upon graduation, she attended the Eastman  School of Music and moved to Georgia where she served briefly as Head of the Music Department at Albany State College. 

Returning to  California to study composition with Roger Sessions, she later chaired the music department at Wilberforce University in Ohio, adding to her musical expertise by taking organ lessons at Capitol University in Columbus.  It was this series of experiences that prompted Dr. Eubanks to start her own independent music school in California, while continuing to further her knowledge across curricular and varied interest areas.

Therefore, the Eubanks Conservatory of Music and Arts, which she founded in 1951, has grown from humble beginnings into a substantial institution offering state-approved bachelor's and master's degree programs in music, and boasting a faculty drawn from the prestigious ranks the Los Angeles Philharmonic Orchestra as well as the outstanding jazz artists from the area.  The conservatory is also affiliated with both the  Korean Philharmonic Orchestra and the Korean Opera Company.

IN TRIBUTE TO DR. EUBANKS






 
 
 
 
 
 
 

Important Links

 Eubanks Conservatory of Music and Arts

International Dictionary of Black Composers

Additional Resources concerning Black Composers
 


 


L.A. Music Week
Margie Evans,
Executive Director
melamw@earthlink.net
P.O. Box 451146
L.A., CA 90045-8511
Ph: 310-670-6898
Fax: 310-670-6908
E-mail



 
 

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 This web site was designed by Vicki Evans, an instructor of and participant in the LAEP Technology Classes.